<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Deborah Brevoort &#187; Plays</title>
	<atom:link href="http://www.deborahbrevoort.com/category/plays/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.deborahbrevoort.com</link>
	<description></description>
	<lastBuildDate>Mon, 06 Feb 2012 02:56:26 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.1</generator>
		<item>
		<title>Of Men and Mountains</title>
		<link>http://www.deborahbrevoort.com/plays/of-men-and-mountains/</link>
		<comments>http://www.deborahbrevoort.com/plays/of-men-and-mountains/#comments</comments>
		<pubDate>Sat, 09 Jan 2010 17:46:41 +0000</pubDate>
		<dc:creator>argraffdesign</dc:creator>
				<category><![CDATA[Plays]]></category>
		<category><![CDATA[1 woman]]></category>
		<category><![CDATA[solo performance]]></category>

		<guid isPermaLink="false">http://localhost/brv/?p=31</guid>
		<description><![CDATA[Landscape and desire, mountains and men. Of Men and Mountains is a one-woman performance piece that explores the body, the land and the loss of home.]]></description>
			<content:encoded><![CDATA[<p>Landscape and desire, mountains and men. <em>Of Men and Mountains</em> is a one-woman performance piece that explores the body, the land and the loss of home.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.deborahbrevoort.com/plays/of-men-and-mountains/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Wet Willies</title>
		<link>http://www.deborahbrevoort.com/plays/wet-willies/</link>
		<comments>http://www.deborahbrevoort.com/plays/wet-willies/#comments</comments>
		<pubDate>Fri, 08 Jan 2010 17:41:01 +0000</pubDate>
		<dc:creator>argraffdesign</dc:creator>
				<category><![CDATA[Plays]]></category>
		<category><![CDATA[1 woman]]></category>
		<category><![CDATA[solo performance]]></category>

		<guid isPermaLink="false">http://localhost/brv/?p=28</guid>
		<description><![CDATA[Encounters with bears in Alaska, the terrors of writing and a trip to Wet Willies carwash are told in this one-woman performance piece about fear, deliverance and the power of language.]]></description>
			<content:encoded><![CDATA[<p>Encounters with bears in Alaska, the terrors of writing and a trip to Wet Willies carwash are told in this one-woman performance piece about fear, deliverance and the power of language.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.deborahbrevoort.com/plays/wet-willies/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Cheechako Treatment</title>
		<link>http://www.deborahbrevoort.com/plays/the-cheechako-treatment/</link>
		<comments>http://www.deborahbrevoort.com/plays/the-cheechako-treatment/#comments</comments>
		<pubDate>Thu, 07 Jan 2010 17:39:47 +0000</pubDate>
		<dc:creator>argraffdesign</dc:creator>
				<category><![CDATA[Plays]]></category>
		<category><![CDATA[3 men]]></category>
		<category><![CDATA[ten-minute play]]></category>

		<guid isPermaLink="false">http://localhost/brv/?p=26</guid>
		<description><![CDATA[Commissioned by America-in-Play (Artistic Director, Lynn Thompson) a new theatre company that encourages playwrights to examine America’s dramatic past as a tool to enrich their current work. The Cheeckako Treatment is a creative response to The Contrast by Royall Tyler (written in 1787) and several skits from late 19th century minstrel shows.]]></description>
			<content:encoded><![CDATA[<p>Commissioned by America-in-Play (Artistic Director, Lynn Thompson) a new theatre company that encourages playwrights to examine America’s dramatic past as a tool to enrich their current work.  <em>The Cheeckako Treatment </em>is a creative response to <em>The Contrast</em> by Royall Tyler (written in 1787) and several skits from late 19<sup>th</sup> century minstrel shows.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.deborahbrevoort.com/plays/the-cheechako-treatment/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Into the Fire</title>
		<link>http://www.deborahbrevoort.com/plays/into-the-fire/</link>
		<comments>http://www.deborahbrevoort.com/plays/into-the-fire/#comments</comments>
		<pubDate>Wed, 06 Jan 2010 17:36:30 +0000</pubDate>
		<dc:creator>argraffdesign</dc:creator>
				<category><![CDATA[itf]]></category>
		<category><![CDATA[Plays]]></category>
		<category><![CDATA[4 women/4 men/2 boys]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[unit set]]></category>

		<guid isPermaLink="false">http://localhost/brv/?p=24</guid>
		<description><![CDATA[Set against the evocative and extreme landscape of the Alaskan wilderness, Into the Fire explores the boundaries between the personal and the political when a woman’s awakening throws a remote island community into chaos. A story about the search for identity in the last frontier, the play is peopled with characters living in isolation on the outer edges of America where landscape makes an indelible mark on the psyche and imagination, giving rise to personalities as enlarged and extreme as the place they inhabit. Described as “Magic Realism with an Alaskan twist” Into the Fire also explores betrayal, rebirth, and... <a href="http://www.deborahbrevoort.com/plays/into-the-fire/"><em>(read more)</em></a>]]></description>
			<content:encoded><![CDATA[<p>Set against the evocative and extreme landscape of the Alaskan wilderness, <em>Into the Fire</em> explores the boundaries between the personal and the political when a woman’s awakening throws a remote island community into chaos. A story about the search for identity in the last frontier, the play is peopled with characters living in isolation on the outer edges of America where landscape makes an indelible mark on the psyche and imagination, giving rise to personalities as enlarged and extreme as the place they inhabit.  Described as “Magic Realism with an Alaskan twist” <em>Into the Fire</em> also  explores betrayal, rebirth, and community.</p>
<p><em>Awards:   L. Arnold Weissberger Award.; written in Mexico on a NEA International residency fellowship.  Rhode Island winner of the Clauder Competition;  finalist, National Play Award.</em></p>
<p><em>Published by Samuel French. </em></p>
<p><em>Development:</em><em><strong> </strong></em><em>National Playwright’s Conference</em><em><strong> (</strong></em><em>The</em><em><strong> </strong></em><em>O’Neill); Australian National Playwright’s Conference; New Plays Festival at Charlotte Rep;  Urban Stages, NYC. </em></p>
]]></content:encoded>
			<wfw:commentRss>http://www.deborahbrevoort.com/plays/into-the-fire/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Blue Moon Over Memphis</title>
		<link>http://www.deborahbrevoort.com/plays/blue-moon-over-memphis/</link>
		<comments>http://www.deborahbrevoort.com/plays/blue-moon-over-memphis/#comments</comments>
		<pubDate>Tue, 05 Jan 2010 17:29:21 +0000</pubDate>
		<dc:creator>argraffdesign</dc:creator>
				<category><![CDATA[bmom]]></category>
		<category><![CDATA[Plays]]></category>
		<category><![CDATA[4 women/6 men]]></category>
		<category><![CDATA[Noh set]]></category>

		<guid isPermaLink="false">http://localhost/brv/?p=16</guid>
		<description><![CDATA[A Noh Drama about Elvis Presley Written in a traditional Noh structure, Blue Moon Over Memphis is a meditation on loneliness. Judy, an Elvis Presley fan, makes a pilgrimage to Graceland on the anniversary of Elvis&#8217;s death. During the candlelight vigil, a mysterious man lets her into the Meditation Garden where Elvis is buried. Under the light of the blue moon, she meets the ghost of Elvis. Published by Applause Books in “The Best American Short Plays of 2004” and in Japanese and English in the Journal of the Noh Research Archives in Tokyo, Japan. Productions: Lincoln Center Living Room... <a href="http://www.deborahbrevoort.com/plays/blue-moon-over-memphis/"><em>(read more)</em></a>]]></description>
			<content:encoded><![CDATA[<h4>A Noh Drama about Elvis Presley</h4>
<p>Written in a traditional Noh structure, <em>Blue Moon Over Memphis</em> is a meditation on loneliness.  Judy, an Elvis Presley fan, makes a pilgrimage to Graceland on the anniversary of Elvis&#8217;s death.  During the candlelight vigil, a mysterious man lets her into the Meditation Garden where Elvis is buried. Under the light of the blue moon, she meets the ghost of Elvis.</p>
<p><em>Published  by Applause Books in “The Best American Short Plays of 2004” and in Japanese and English in the Journal of the Noh Research Archives in Tokyo, Japan. <span id="more-16"></span></em></p>
<p><em>Productions</em><em><strong>: </strong></em><em> Lincoln Center Living Room Festival at HERE; New School University and Brown University directed by the author; Sound Stage Productions in St. Louis Missouri, with a nationally-known Elvis impersonator.</em></p>
<p><em>Readings in La Mama ETC’s 2000 “Experimental Theatre Series” and Dixon Place. </em></p>
<p><em>Awards:</em><em><strong> </strong></em><em> Lee Korf Playwriting Award.</em></p>
]]></content:encoded>
			<wfw:commentRss>http://www.deborahbrevoort.com/plays/blue-moon-over-memphis/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Signs of Life</title>
		<link>http://www.deborahbrevoort.com/plays/signs-of-life/</link>
		<comments>http://www.deborahbrevoort.com/plays/signs-of-life/#comments</comments>
		<pubDate>Mon, 04 Jan 2010 17:32:12 +0000</pubDate>
		<dc:creator>argraffdesign</dc:creator>
				<category><![CDATA[Plays]]></category>
		<category><![CDATA[sol]]></category>
		<category><![CDATA[1 woman/1 man]]></category>
		<category><![CDATA[comedy]]></category>
		<category><![CDATA[minimal set]]></category>

		<guid isPermaLink="false">http://localhost/brv/?p=20</guid>
		<description><![CDATA[On a magical night in New Jersey, the stars talk to Abe, Sal gets a magic tattoo and a journey begins. Abe and Sal take off across the country, following the stars and looking for Birth and Life. Signs of Life is loosely based on the Sarah and Abraham story from the Old Testament&#8211;spun out of the Holy Land and onto the Interstate Highways of the American West. The play is a comic meditation on faith, doubt and spirituality. Awards: Rockefeller Foundation playwriting fellowship; Gold Medalist, 2004 Pinter Review Prize for Drama; Winner, Jane Chambers Playwriting Award; Theatre Conspiracy playwriting... <a href="http://www.deborahbrevoort.com/plays/signs-of-life/"><em>(read more)</em></a>]]></description>
			<content:encoded><![CDATA[<p>On a magical night in New Jersey, the stars talk to Abe, Sal gets a magic tattoo and a journey begins.  Abe and Sal take off across the country, following the stars and looking for Birth and Life.  <em>Signs of Life </em> is loosely based on the Sarah and Abraham story from the Old Testament&#8211;spun out of the Holy Land and onto the Interstate Highways of the American West.  The play is a comic meditation on faith, doubt and spirituality.</p>
<p><em>Awards:</em><em><strong> </strong></em><em> Rockefeller Foundation playwriting fellowship; Gold Medalist, 2004 Pinter Review Prize for Drama; Winner, Jane Chambers Playwriting Award; Theatre Conspiracy playwriting contest; Hanover College/Lily Foundation Playwriting Contest, 2nd place.<span id="more-20"></span></em></p>
<p><em>Productions:  Theatre Conspiracy, Ft. Myers, Florida;  An early draft was produced at Perseverance Theatre, Juneau, Alaska &amp; Company One in Hartford CT. </em></p>
<p><em>Published by Samuel French.</em></p>
]]></content:encoded>
			<wfw:commentRss>http://www.deborahbrevoort.com/plays/signs-of-life/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Women of Lockerbie</title>
		<link>http://www.deborahbrevoort.com/plays/the-women-of-lockerbie/</link>
		<comments>http://www.deborahbrevoort.com/plays/the-women-of-lockerbie/#comments</comments>
		<pubDate>Sun, 03 Jan 2010 17:12:54 +0000</pubDate>
		<dc:creator>argraffdesign</dc:creator>
				<category><![CDATA[Plays]]></category>
		<category><![CDATA[wol]]></category>
		<category><![CDATA[5 women/2 men]]></category>
		<category><![CDATA[minimal set]]></category>
		<category><![CDATA[tragedy]]></category>

		<guid isPermaLink="false">http://localhost/brv/?p=4</guid>
		<description><![CDATA[A mother from New Jersey roams the hills of Lockerbie Scotland, looking for her son’s remains which were lost in the crash of Pan Am 103. She meets the Women of Lockerbie, who are fighting the US Government to obtain the clothing of the victims found in the plane’s wreckage. The women, determined to convert an act of hatred into an act of love, want to wash the clothes of the dead and return them to the victim’s families. The Women of Lockerbie is loosely inspired by a true story, although the characters and situations in the play are purely... <a href="http://www.deborahbrevoort.com/plays/the-women-of-lockerbie/"><em>(read more)</em></a>]]></description>
			<content:encoded><![CDATA[<p>A mother from New Jersey roams the hills of Lockerbie Scotland, looking for her son’s remains which were lost in the crash of Pan Am 103.  She meets the Women of Lockerbie, who are fighting the US Government to obtain the clothing of the victims found in the plane’s wreckage.  The women, determined to convert an act of hatred into an act of love, want to wash the clothes of the dead and return them to the victim’s families.  <em>The Women of Lockerbie </em> is loosely inspired by a true story, although the characters and situations in the play are purely fictional.  Written in the structure of a Greek tragedy, it is a poetic drama about the triumph of love over hate.</p>
<p><em>Winner, Silver Medal, Onassis International Playwriting Competition; and, the Kennedy Center Fund for New American Plays Award<span id="more-11"></span></em></p>
<p><em>Published by: Dramatists Play Service. </em></p>
<p><em>Productions:  The New Group and Women’s Project &amp; Productions, NYC; Actors&#8217; Gang, Los Angeles, CA; Bloomsburg Theatre Ensemble, PA, New Jersey Repertory Theatre, and others. </em></p>
<p><em>International Productions: The Orange Tree Theatre, London;  Theatre Royal Dumfries, Lockerbie, Scotland; Parade Theatre, Sydney, Australia; Haiyuza Theatre, Tokyo, Japan, and others.</em></p>
<p><em>Translations: Spanish, Greek, Danish, Polish and Japanese</em></p>
<p><a href="http://www.facebook.com/album.php?profile=1&amp;id=102502849793822#!/pages/The-Women-of-Lockerbie/340437527989">Become a fan of &#8220;The Women of Lockerbie&#8221; on Facebook!</a></p>
]]></content:encoded>
			<wfw:commentRss>http://www.deborahbrevoort.com/plays/the-women-of-lockerbie/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Poetry of Pizza</title>
		<link>http://www.deborahbrevoort.com/plays/the-poetry-of-pizza/</link>
		<comments>http://www.deborahbrevoort.com/plays/the-poetry-of-pizza/#comments</comments>
		<pubDate>Sat, 02 Jan 2010 17:19:05 +0000</pubDate>
		<dc:creator>argraffdesign</dc:creator>
				<category><![CDATA[Plays]]></category>
		<category><![CDATA[tpop]]></category>
		<category><![CDATA[4 women/4 men/29 pizza boxes]]></category>
		<category><![CDATA[comedy]]></category>
		<category><![CDATA[minimal set]]></category>

		<guid isPermaLink="false">http://localhost/brv/?p=7</guid>
		<description><![CDATA[A Play in Four Slices Professor Sarah Middleton arrives in Denmark to teach at the University of Copenhagen, only to find her life irrevocably thrown off course when she stops by the Vermundsgade Pizzeria one night for a pizza. She falls suddenly and unexpectedly in love with the pizza maker, Soran Saleen, a Kurdish refugee who wins her heart with his pizzas. Sarah and Soran’s unlikely courtship arouses the curiosity and passions of everyone around them (an assortment of Danish, Arab and American characters) setting in motion a rash of culinary courtships and a chaotic comedy of errors. Productions: The... <a href="http://www.deborahbrevoort.com/plays/the-poetry-of-pizza/"><em>(read more)</em></a>]]></description>
			<content:encoded><![CDATA[<h4>A Play in Four Slices</h4>
<p>Professor Sarah Middleton arrives in Denmark to teach at the University of Copenhagen, only to find her life irrevocably thrown off course when she stops by the Vermundsgade Pizzeria one night for a pizza.  She falls suddenly and unexpectedly in love with the pizza maker, Soran Saleen, a Kurdish refugee who wins her heart with his pizzas.  Sarah and Soran’s unlikely courtship arouses the curiosity and passions of everyone around them (an assortment of Danish, Arab and American characters) setting in motion a rash of culinary courtships and a chaotic comedy of errors.<span id="more-12"></span></p>
<p><em>Productions:  The Purple Rose, Chelsea, MI; Virginia Stage Company, Norfolk, VA; Mixed Blood Theatre, Minneapolis, MN; Theatre in the Square, Marietta, GA; California Repertory Theatre, Long Beach, CA; Stage 3, Sonora, CA; Centenary Stage, Hackettstown, NJ.</em></p>
<p lang="en-US"><em>Awards:  Ludwig Vogelstein Foundation grant.  Ruby Lloyd Aspey Playwriting award;Winner,  Stage 3 Playwriting Contest and the </em><em>Women Playwright’s Competition at University of Missouri, (2</em><sup><em>nd</em></sup><em> place)</em></p>
]]></content:encoded>
			<wfw:commentRss>http://www.deborahbrevoort.com/plays/the-poetry-of-pizza/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Blue-Sky Boys</title>
		<link>http://www.deborahbrevoort.com/plays/the-blue-sky-boys/</link>
		<comments>http://www.deborahbrevoort.com/plays/the-blue-sky-boys/#comments</comments>
		<pubDate>Fri, 01 Jan 2010 17:21:56 +0000</pubDate>
		<dc:creator>argraffdesign</dc:creator>
				<category><![CDATA[Plays]]></category>
		<category><![CDATA[7 men play 14 roles]]></category>
		<category><![CDATA[comedy/drama]]></category>
		<category><![CDATA[unit set]]></category>

		<guid isPermaLink="false">http://localhost/brv/?p=9</guid>
		<description><![CDATA[A play about the first Apollo moon landing and the people on the ground who made it happen. The Blue-Sky Boys dramatizes the imaginative and somewhat unorthodox creative process used by a group of maverick engineers to accomplish the seemingly impossible task of landing men on the moon and returning them safely to earth. There are extended sequences that dramatize the “encounters” they had with such influences as Buck Rogers, Icarus, Galileo, Apollo, the Red Baron, Louis Leaky and others. A story about the intersection of creativity and science, The Blue-Sky Boys is a play in two acts with an all-male cast. Although inspired by history, the play is a work of fiction.

Commissioned by the Ensemble Studio Theatre/Alfred P. Sloan Foundation Science and Technology project.]]></description>
			<content:encoded><![CDATA[<p>A play about the first Apollo moon landing and the people on the ground who made it happen.  <em>The Blue-Sky Boys </em>dramatizes the imaginative and somewhat unorthodox creative process used by a group of maverick engineers to accomplish the seemingly impossible task of landing men on the moon and returning them safely to earth.   There are extended sequences that dramatize the “encounters” they had with  such influences as Buck Rogers, Icarus, Galileo,  Apollo, the Red Baron, Louis Leaky and others.  A story about the intersection of creativity and science, <em>The Blue-Sky Boys</em> is a play in two acts with an all-male cast.  Although inspired by history, the play is a work of fiction.</p>
<p><em>Commissioned by the  Ensemble Studio Theatre/Alfred P.  Sloan Foundation Science and Technology project.<span id="more-13"></span> </em><em>Recipient of the Galileo Prize.</em></p>
<p><em>Productions:  Barter Theatre, Abington, VA, 2010.</em></p>
<p><em>Awards: Orlando Shakespeare Theatre’s PLAYFEST;  1</em><sup><em>st</em></sup><em> place winner, Barter Theatre’s Appalachian Festival of New Plays. </em></p>
]]></content:encoded>
			<wfw:commentRss>http://www.deborahbrevoort.com/plays/the-blue-sky-boys/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Velvet Weapon</title>
		<link>http://www.deborahbrevoort.com/plays/the-velvet-weapon/</link>
		<comments>http://www.deborahbrevoort.com/plays/the-velvet-weapon/#comments</comments>
		<pubDate>Fri, 01 Jan 2010 02:25:28 +0000</pubDate>
		<dc:creator>argraffdesign</dc:creator>
				<category><![CDATA[Plays]]></category>
		<category><![CDATA[5 men/4 women perform multiple roles]]></category>
		<category><![CDATA[backstage/political farce]]></category>

		<guid isPermaLink="false">http://localhost/brv/?p=14</guid>
		<description><![CDATA[At the National Theatre of an unnamed country, in an unnamed city, a matinee audience rises up in protest over what is being performed on stage, and demands something new. They begin a performance of their own of &#8220;The Velvet Weapon,&#8221; a play by an unproduced playwright of unknown talent. Inspired by the Velvet Revolution in the former Czechoslovakia, The Velvet Weapon is a humorous examination of populist democracy told through a battle between high-brow and low-brow art. Awards: CEC ArtsLink grant; New Jersey Council on the Arts Playwriting Fellowship. Readings: La Mama ETC, as part of the New York... <a href="http://www.deborahbrevoort.com/plays/the-velvet-weapon/"><em>(read more)</em></a>]]></description>
			<content:encoded><![CDATA[<p>At the National Theatre of an unnamed country, in an unnamed city, a matinee audience rises up in protest over what is being performed on stage, and demands something new. They begin a performance of their own of &#8220;The Velvet Weapon,&#8221; a play by an unproduced playwright of unknown talent.  Inspired by the Velvet Revolution in the former Czechoslovakia, <em>The Velvet Weapon </em>is a humorous examination of populist democracy told through a battle between high-brow and low-brow art.</p>
<p><em>Awards:  CEC ArtsLink grant; New Jersey Council on the Arts Playwriting Fellowship.<span id="more-14"></span></em></p>
<p><em>Readings: </em>La Mama ETC, as part of the New York Public Library for the Performing Arts <em>“Performing Revolution in Central and Eastern Europe”</em> festival, to commemorate the 20<sup>th</sup> anniversary of the Velvet Revolution. NJ Playwright’s Theatre.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.deborahbrevoort.com/plays/the-velvet-weapon/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>

