 | The Blue-Sky Boys (full-length play) |
| Goodbye My Island (musical) with composer
David Friedman, based on the book by Jean Rogers |
| The Poetry of Pizza (full-length play) |
| The Women of Lockerbie (full-length play) |
| Mexico in Alaska (original screenplay) |
| King Island Christmas (oratorio/musical)
with composer David Friedman, based on the story by Jean
Rogers |
| Coyote Goes Salmon Fishing (musical) w/
composer Scott Richards |
| Covered Dishes (original screenplay) |
| Into the Fire (full-length play) |
| Blue Moon Over Memphis (Noh drama about
Elvis Presley) |
| Of Men and Mountains (solo performance
piece) |
| Wet Willies (solo performance piece) |
| Signs of Life (full-length play) |
| The Last Frontier Club (full-length play) |
| The Back Road to Hudson (one-act play) |
| Crossing Over (full-length musical) with
composer Stephanie Saltzman |
| The Velvet Weapon (full-length play) |
| Sugar Grove (full-length play) |
| The Poetry of Pizza:
 | Virginia Stage, Norfolk, VA 2008 |
| Mixed Blood Theatre, Minneapolis, MN 2008 |
| Theatre in the Square, Marietta, GA 2008 |
| Purple Rose Theatre, Chelsea, MI 2007 |
| Centenary Stage Theatre, Hackettstown, NJ 2006 |
| Stage 3, Sonora CA 2006 |
|
| King Island Christmas:
| Hedgerow Theatre, Philadelphia, PA2006 |
| Quick as a Wink Society, Nova Scotia, Canada 2006 |
| Humboldt Light Opera, Eureka, CA 2006 |
| Perseverance Theatre, Juneau, AK 2005 |
| New York State Theatre Institute, Troy, NY 2005 |
| Findlay University, Findlay, OH 2005 |
| American Stage Theatre, St. Petersburg FL 2003 & 2004 |
| Fairbanks Light Opera Theatre, in collaboration with the
Fairbanks Choral Society & the University of Alaska
Fairbanks Music & Theatre Departments 2004 |
|
| Signs of Life:
| Theatre Conspiracy, Ft.
Myers, FL, Feb. 2005 |
| Workshop Playhouse, Great Barrington MA, 2005 |
|
| The Women of Lockerbie (US
Productions/Professional):
| Whole Art Theatre, Kalamazoo, MI 2007 |
| Acacia Theatre, Wisconsin, 2007 |
| The Actor’s Gang Theatre, Los Angeles, CA 2007 |
| New Jersey Repertory Theatre, Long Branch, NJ 2006 |
| Maryland Ensemble Theatre, 2006 |
| Bloomsburg Theatre Ensemble, Bloomsburg PA 2004/2005
season |
| Ensemble Theatre Company, Cincinnati, Ohio 2004 |
| National Showcase of New Plays/Shenanarts/Prop Theatre
Chicago, July 2004 |
|
| The Women of Lockerbie (Overseas
Productions):
| Random Act Theatre, Edinburgh, Scotland 2008 |
| Theatre Royal Dumfries, Lockerbie, Scotland 2006 |
| Anemi Youth Theatre, Athens, Greece 2006 |
| Wollongong Workshop Theatre, Wollongong, Australia 2005 |
| Orange Tree Theatre (London England) 2005 |
| Cumulus Productions/Parade Theatre at NIDA, Sydney
Australia 2004 |
| Porfyris Youth Theatre, Kytherra Greece (in Greek) 2004
|
| Agora Theatre, Patras, Greece (in Greek) 2004 |
| Attica Cultural Organization, Athens, Greece (in Greek)
2004 |
|
| The Women of Lockerbie (College/University
Productions):
| University of Toledo, Ohio, 2005 |
| University of Wyoming, Laramie, 2005 |
| North Carolina School of the Arts, School of Drama, 2005
|
| Michigan State University, Lansing MI 2004 |
| Valley City State University, North Dakota 2004 |
| Syracuse University (Pam Am 103 Memorial Week) 2004 |
| Otterbein College, Westerville Ohio 2005 |
| Fargo North Dakota High School 2004 |
| Port Angeles Community Players, Port Angeles WA 2003
|
|
| The Women of Lockerbie, produced
Off-Broadway by the New Group Theatre, Women’s Project and
Martian Entertainment, directed by Scott Elliott, featuring
Judith Ivey and Larry Pine |
| King Island Christmas in
December 2002 at:
| Fairbanks Light Opera Theatre, in collaboration with the
Fairbanks Choral Society and the University of Alaska
Fairbanks Music & Theatre Departments |
|
| King Island Christmas in
December 2001 at:
| Ector County Library and Arts Center,
Odessa, TX |
| Bartlesville Community Center,
Bartlesville, OK |
| Oomiak Foundation, Eureka, CA |
| Perseverance Theater, Juneau, Alaska |
|
| Blue Moon Over Memphis
| (directed by author) New School University, New York, NY 2001 |
| Sound Stage Productions, St. Louis, Missouri 2006 |
|
| King Island Christmas in 2000
at:
| Duke University, Durham, North Carolina |
| Edyvean Theatre, Indianapolis, Indiana |
| Theatre IV, Richmond, Virginia |
| Human Race Theatre, Dayton, Ohio |
| Oomiak Foundation, Eureka California |
| Haines, Alaska, Chilkat Center for the
Arts |
| Kodiak Arts Council, Kodiak, Alaska |
| Shenanarts, Staunton, Virginia |
| Texas Library Association Convention,
Houston, Texas, (April 2000) |
| Port Fairy Music Festival in Melbourne,
Australia, (October 2000) |
|
| King Island Christmas in 1999
at:
| Paper Mill Playhouse, Millburn, NJ,
directed by Robert Johannsen; |
| Lyric Stage in Dallas, Texas; directed by
Ann Nieman |
| Perseverance Theatre, Juneau, Alaska;
directed by Anita Maynard Losh |
| Don Thompson Chorale, Flagler University, & St.
Augustine Public Library, Florida |
|
| Blue Moon Over Memphis
Lincoln Center Living Room Festival at HERE, directed by Nancy
C. Jones, 1999 |
| King Island Christmas
Perseverance Theatre 1998 |
| King Island Christmas
Perseverance Theatre 1997, directed by Anita M. Losh |
| Coyote Goes Salmon Fishing,
Perseverance Theatre, directed by Molly Smith, 1996 |
| Signs of Life, Company One,
Hartford CT, directed by Joann Green, 1992 |
| Signs of Life, Perseverance
Theatre, directed by Christopher Hanna, 1990 |
| The Last Frontier Club,
Perseverance Theatre, directed by Kate Bowns 1987 |
| Coyote Goes Salmon Fishing,
New Dramatists/Frederick Loewe Award, 2002 |
| Goodbye My Island New
Dramatists/Harburg Foundation grant, 2002 |
| Goodbye My Island New
Dramatists/Cameron MacIntosh grant, 2001 |
| King Island Christmas, NYC
SIR Studios, directed by Pat Birch, designed by Eugene Lee;
performed by 80 singers, October 2000 |
| Coyote Goes Salmon Fishing,
University of Houston, produced by Stuart Ostrow, directed by
Lou Jacob, 1996 |
| Into the Fire, Australian
National Playwright’s Conference, Canberra, Australia, 1996
|
| Into the Fire, National
Playwrights Conference, Eugene O'Neill Theatre Center, CT,
Directed by Casey Childs, 1995 |
| Coyote Goes Salmon Fishing,
NYU's Tisch School of the Arts, 3 workshops, Directors: Chris
Grabowski, Mel Marvin, Elizabeth Margid 1993-1995 |
| Blue Moon Over Graceland,
Brown University, Directed by the author, 1993 |
| Into the Fire, New Plays
Festival, Brown University. Directors: Edward Isser & Joanna
Zazofsky; Dramaturg Aishah Rahman 1993 |
| Wet Willies, New Plays
Festival, Brown University. Performed by author, dramaturg &
acting coach: Anna DeVeare Smith 1992 |
| Signs of Life, Perseverance
Theatre (under a Rockefeller grant) Dramaturg/Director:
Roberta Levitow, 1989 |
| The Back Road to Hudson,
Perseverance Theatre directed by
Gregg W. Brevoort, 1987
|
| The Blue-Sky Boys, Octoberfest, Ensemble
Studio Theatre, 2005 |
| The Poetry of Pizza, University of Alabama,
Birmingham, 2005 |
| The Poetry of Pizza, Hedgerow Theatre,
Pennsylvania, 2005 |
| The Poetry of Pizza, Stage 3, Sonora,
California 2005 |
| The Poetry of Pizza, New Dramatists, NYC
2005 |
| The Blue-Sky Boys, First Light Festival,
Ensemble Studio Theatre, 2005 |
| The Poetry of Pizza, Hudson River Classics,
2005 |
| The Poetry of Pizza, Centenary Stage Women
Playwrights Festival, 2005 |
| Signs of Life, Oberon Theatre, NYC, 2005 |
| Signs of Life, Gaslight Theatre, Kearny
NJ/NYC Spring Fling series 2004 |
| The Poetry of Pizza, Bloomsburg Theatre
Ensemble, Bloomsburg PA, 2003 |
| The Women of Lockerbie, Royal Academy of
Dramatic Arts, London, England (America Now Festival), 2003,
directed by Michael Gieleta |
| Signs of Life, 12 Miles West Theatre,
Montclair NJ, 2003 |
| Signs of Life, Hanover College, Indiana,
2004, directed by Mark Fearnow |
| The Women of Lockerbie, by the members of
the Prospect Hill Senior CitizenÆs Center in Brooklyn, 2003,
NYFA Artist & Exchange Program. |
| The Women of Lockerbie, Shenanarts,
Staunton, Virginia, 2002, as a fundraiser for families in the
Shenandoah Valley who lost family members on September 11th
|
| Signs of Life, ATHE
Conference, San Diego, California, for Jane Chambers Award 2002
|
| The Women of Lockerbie,
Onassis Cultural Center, NYC, directed by Liz Diamond, February 2002
|
| The Women of Lockerbie,
New Dramatists, 2001 (2) |
| Signs of Life, Hudson River
Classics, NY, Jan 2001 |
| The Women of Lockerbie, Bay
Area Playwright’s Festival, San Francisco, directed by Amy
Mueller, September 2000 |
| The Women of Lockerbie,
Oregon Shakespeare Festival, July 2000, director: Wendy
Goldberg; Dramaturg: Lue Douthit |
| The Women of Lockerbie, Geva
Theatre New Play Festival, Feb 2000, directed by Marge Betley
|
| Into the Fire, Urban Stages
NYC, directed by Loy Arcenas, Feb 2000 |
| Blue Moon Over Memphis, La Mama ETC’s
“Experimental Theatre” series, curated and directed by George
Ferencz, March 2000 |
| Signs of Life, Rattlestick
Productions, NY, directed by Leah Gardiner, June 2000 |
| Into the Fire, Weissberger
Award New Dramatists, directed by Roberta Levitow, 1999 |
| The Women of Lockerbie, 1999
O’Neill Conference, directed by Paul McCrane |
| The Women of Lockerbie, 1999
Shenandoah Retreat, directed by John Steber |
| King Island Christmas,
American Librarian Association, Philadelphia sponsored by
William Morrow Publishers, directed by Lou Jacob, 1999 |
| King Island Christmas,
National Alliance of Musical Theatre’s festival of new
musicals, sponsored by Goodspeed Opera, directed by Lou Jacob,
1998 |
| King Island Christmas,
Westside Theatre, sponsored by WM Productions, directed by Lou
Jacob, 1998 |
| King Island Christmas, Lamb’s
Theatre, w/ Liz Callaway & Paolo Montalban for the Frederick
Loewe Award, directed by Elizabeth Margid, 1998 |
| King Island Christmas,
Dramatists Guild, May 1998 |
| Into the Fire, Charlotte Rep New Plays Festival, March
1998 |
| Blue Moon Over Memphis, Dixon
Place 1998, directed by Jean Randich |
| Signs of Life, American
Renegade Theatre “Bitter Truth & Sweet Lies Festival,”
Hollywood, California, 1998 |
| Blue Moon Over Graceland,
Brown University, April 1996 |
| Coyote Goes Salmon Fishing,
Dramatists Guild, April 1996 |
| Coyote Goes Salmon Fishing,
New Dramatists, March 1996 |
| Covered Dishes, New
Dramatists, directed by Jim Simpson, 1995 |
| Into the Fire, New
Dramatists, directed by Liz Diamond, Nov.1994 |
| Blue Moon Over Graceland,
Circle Rep Retreat, July 1993 |
| Blue Moon Over Graceland,
Hofstra Writer's Conference, 1993 |
| Into the Fire, Perseverance
Theatre, directed by Molly Smith, 1991 |
| Into the Fire, Banff
Playwright's Colony, Canada, June 1991 |
| Signs of Life, "Burning the
Borders Festival,” 1989; & “Alaska Playwright's Festival”
1988, Perseverance Theatre, directed by Molly Smith |
| The Last Frontier Club,
Alaska Repertory Theatre, Anchorage, Alaska, directed by
Michael Hood, 1988 |
| Signs of Life, Samuel French, 2007 |
| The Women of Lockerbie, Dramatists Play
Service, 2005 |
| Blue Moon Over Memphis, by Applause Books in
the Best Short American Plays: 2004, edited by Glenn
Young |
| The Women of Lockerbie
published by the Alexander S. Onassis Public Benefit
Foundation, Athens, Greece, 2001. Published in both English
and Greek |
| The Women of Lockerbie, published in New
Dramatists 2001 by Smith and Kraus publishers, 2003 |
| The Women of Lockerbie, published in Polish
in Dialog, the theatre journal of the International
Theatre Institute of Poland in 2003 |
| Blue Moon Over Memphis, published in
Japanese in the Journal of the Noh Research
Archives by Musashino University, Tokyo Japan , Spring 2004
|
| Into the Fire published by
Samuel French in June 2000 |
| “En Oase I New York,” article for
Teater-et-Tema journal (Denmark), 1999 |
| "Stop That F," a review of "F-32", a novel
by Eurydice in Issues Magazine, Providence RI, 1992 and
the Creative Writing Journal of Brown University |
| "Yup'ik Antigone," cover article for
Dramatics Magazine, Nov.1984. |
| "Developing an Alaskan Voice," August 1983,
and "Profiles of Alaska Native Actors," 1985, Alaska Native
News Magazine |
| A scene from The Poetry of Pizza is
published in Scenes and Monologue from the Best New Plays
II, edited by Roger Ellis, published by Meriwether
Publishers 2007 |
| A scene from Signs of Life
published in Scenes & Monologues from the Best New Plays,
Meriwether Press, 1992, editor: Roger Ellis |
| A monologue from The Women of Lockerbie is published in New Monologues for Women by Women,
editors: Tori Haring-Smith and Liz Engelman |
| A monologue from Signs of Life
published in More Monologues By Women, For Women,
Heinemann Press, 1996, editor Tori Haring-Smith |
| A monologue from Into the Fire
is published in Monologues by Women, For Women,
Heinemann Press, 1994, editor Tori Haring-Smith |
| King Island Christmas,
produced in 1999 by 12-time Grammy winner Thomas Z. Shepard;
orchestrations by Peter Matz; starring Chuck Cooper, Marin
Mazzie and Paolo Montalban; featuring a 34-piece orchestra and
26-member chorus |
| 2004 CEC Arts Link residency, (Czech and Slovak Republics) |
| 1999 Shenandoah International Playwright’s Retreat |
| Danish American Nationals Cultural Exchange fellow 1998
(Denmark) |
| Sumner Locke Elliot Exchange fellow 1996 (Australia) |
| NEA International Residency Fellowship 1995 (Mexico) |
| MacDowell Colony, 1994 |
| Banff Playwright's Colony for Into the Fire, 1991 & Signs
of Life, 1988. (Canada) |
| Lake Placid Institute/New Dramatists Residency; 1996;
1998; 2000; 2001 |
| Writer, treatment for a TV
Movie-of-the-Week, on Lockerbie plane crash for King
World/Souvenir Entertainment, 1999 |
| Screenwriter, Covered Dishes,
commissioned and optioned by Fox Searchlight and Goat Cay
Productions (Sigourney Weaver), 1996 |
| Writer, Documentary on the Deaf, Aronson
Films, Spring 1997 |
| Writer, Video Documentary on Brown
University, with Xavier Zaragoza, 1996 |
| Story consultant for Hard Look,
a full length feature film, producer: Josh Aronson of Film
Associates and the "City Kids" organization, 1995
|
| Covered Dishes, 1992 (Short
film) (wrote and directed) |
| The Tourist, 1992 (short
film) Direction, editing & camera work with Art Rotch |
| Blue Moon Over Memphis, full production, New
School University, 2001 |
| Goodbye My Island, 1 week workshop /staged
reading, New Dramatists, 2002 |
| Goodbye My Island, 1 week workshop/ concert
reading, New Dramatists, 2001 |
| Coyote Goes Salmon Fishing 1 week
workshop/staged reading, Frederick Loewe Award 2002 |
| The Women of Lockerbie, graduation reading
w/ Kathleen Chalfant, New Dramatists, 2002 |
| The Women of Lockerbie, reading/backer’s
audition, Martian Entertainment, 2001 |
| Blue Moon Over Memphis, student production,
Brown University, 1993 |
| Blue Moon Over Memphis,
student production, New School University, 2001 |
| Blue Moon Over Memphis,
student production, Brown University, 1993 |
| Goodbye My Island, 2
workshops/readings, New Dramatists, 2001 & 2002 |
| Coyote Goes Salmon Fishing,
workshop/reading, New Dramatists, 2002 |
| The Women of Lockerbie, 2
readings, New Dramatists, 2001-2002 |
| Head Dramaturg for the George Houston Bass
Playwrights Festival, Rites and Reason Theatre, Providence RI,
March 1992 and 1993 |
| Dramaturg for In Two Worlds by Earl
Atchak at Perseverance Theatre, 1991 |
(at Perseverance Theatre)
|
Role |
Play |
Director |
|
Solo
Performance |
Wet
Willies/at Brown University |
Anna DeVeare
Smith |
|
Mme.
Ranyevsky |
The Cherry
Orchard |
Molly Smith |
|
Maggie |
Cat on a Hot
Tin Roof |
Joe Ross |
|
Maxine |
Night of the
Iguana |
Robert
Rooney |
|
Witch/Good
Doctor |
Macbeth |
Molly Smith |
|
Angie/Dull
Gret |
Top Girls |
Molly Smith |
|
The Mayor |
Enemy of the
People |
Ron Hines |
|
Odysseus/Ensemble |
The Odyssey |
Molly Smith |
|
Ensemble |
Mormon
Project Workshop |
Joanne
Akalitis |
|
Ensemble |
Island of
Tears |
Molly Smith |
|
Woman
Traveler |
On the Verge |
Tim Wilson |
|
Hattie |
Laundry and
Bourbon |
Jamie McLean |
|
Evie |
The Last
Frontier Club |
Kate Bowns |
“Transitions”
(touring show) |
Lady/Orpheus
Descending
Older Woman/3rd & Oak,
the Laundromat Bev/Shadow Box |
Jamie McLean |
| ASCAP, The Recording Academy (Grammy
voter), Dramatists Guild, and New York League of Professional
Theatre Women |
| New Dramatists |
| Co-founder of Theatre Without Borders |
|
